Posterous theme by Cory Watilo

Filed under: exposure

Fear is a lesson in history and perspective...

When I was asked to audition for EXPOSURE  I had a hair trigger reaction to the character of Roxanne as it pertained to the audition scene... someone who cared deeply about her job position, but who cared for the people and community she was instructed to inoculate. As actors we bring our whole selves to a project and with that experience comes cultural egocentricity; it is just part of who we are. I come from grandparents and parents who were raised in the segregated South. They were and are proud people who in the former generation feared the government and in the latter reaped benefits and became a part of it. 

So the impression made by the character was personal and, in retrospect, I supposed it may have been one of the reasons that I was cast... 

Roxanne is determined to complete the task of immunizing citizens against the virus and she is a woman on a mission, caring solely about the mission at hand.

From where I sat,  government had been an asset to community-. Being a child of the post Civil Rights Era, it afforded me opportunities, it employed my Dad and a number of my relatives, and my knowledge of all the things put in place to aid mothers and children who were underinsured and under privileged was expanse... surely the federal government would look out for its constituents, right?

Interestingly enough though, during my Grandparents' era, the US Public Health Service ran syphilis experiments on African American men in Alabama under the guise of free health care. No wonder, sometimes they were reluctant to see a doctor even though they were insured. So? These are the questions that swirled inside of me as the script unfolded and we embarked upon the shoot and it brought me a great deal of joy to pose the questions with Mia.

In the recent wake of the H1N1 vaccines that year, I hadn't a second thought about getting one, but I had a number of friends who questioned the necessity for it...what was the fear and so forth. As I spoke to people it became clear to me that history, culture and ethnicity informed a lot of the answers to individual questions. Where people lived...how they are treated by government officials, what results do they get when requesting aid, was asking for help ever an issue in their lives all had something to do with their decisions. 

I am excited that the dialogue about our commonality and different feelings about our government will be raised when people see the film and moreover, intrigued by what new ideas the film will spark as a result. 

Agentsgroup

Post-Production Sound on Exposure, by William Tabanou

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(William Tabanou, Sound Designer/Re-recording Mixer, Tab Sound Design)

 

Doing the post sound design and mix for Exposure was challenging and rewarding due to what was involved sound-wise, and the quick turnaround we had to meet.  We had to place many sound elements to make sure all of the locations and action sequences felt right to create the futuristic and tense nature of this film.

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Ben Dubash speaks about his role in Exposure

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(Ben Dubash as "Martin," third from left)

Exposure was efficient, professional and fun. 

Those are also the three words that come to mind if I had to describe Mia Trachinger and her style. It's always cool working with a director that wants actors to bring options to the table. She had an idea of what she wanted, she expressed it, but then allowed us to bring something different in every take. She let us play within the scenes, keeping it organic and you could always trust her opinion. 

The only problem I had on set was when I tried to convince Mia that my lines would be best delivered if i was "in the nude" but she said something about it not being right for the film...

The crew was amazing; Aaliyah and Rueben ran a great ship, each crew member was professional, courteous with a single goal....making a great film. 

This was my first project with the team, and I am certain we will work again in the future.

Behind-the-Scenes on Mia Trachinger's EXPOSURE | stills by James Boyd (credit: Production Still Photography)

This is what things looked like on the set of Mia Trachinger's Exposure. All snaps by James Boyd, Production Still Photography.

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